If Petek pours his plants, he often comes to ponder. He then thinks, for example: I used to think about some things very different from today. Or, What have I not done everything for love? And just when Petek is preparing to fall into a neat melancholy, when suddenly appear on the two best friends and Annska Schlitzka, and only to confront his now rock solid dude Danek with its wild past.
can from that moment the fragile order within and outside of the city's greenhouse difficult to get upright. One thing is certain for Danek and Petek: Although we are no longer the youngest, but we will never accept. Because it helps little if the cult television presenter ever praises the virtues of age and the good old days.
And least of which is also the Eskimo bride who suddenly might Petek greenhouse. After dealing with the issue of work ("job poppers", 2000), and the relationship between sports and pain ("Trans pirate ions", 2001) the Flinntheater explores in his new production conditions, failures and happy moments of growing up in a time that one with 27 more among the old hands, as the young genius.
"The Flinntheater from Kassel, thank. - After the phenomenal guest performance at plant II gray hair and back pain are socially acceptable in a piece that oh ne original text during rehearsals grew, manages the FLINNTHEATER a ridiculous screaming and subliminal evil reckoning with nostalgia, obsession with youth and Identitätskriselei "
(Leipzig People's Daily, 03.09.2002)
with. Brendgen Anne, Dorothy Klein, Lisa Stepf, Daniel Stock, Janine Tuma, Peter Wagner
text and Regi e: Tobias Krechel and Sophia Stepf
production: Bernhard Striegel
Lighting Design: Mark Becker
A co-production with the Theater Aachen / Mörgens
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